It’s been a bumpy ride at times, but on balance, I think most users would agree that there’s merit to this approach, and Avid have continued to offer perpetual licences to the unconvinced. No longer would they have to save up new features for a big integer release every couple of years instead, they could make them available as soon as they were ready. One of Avid’s stated reasons for moving Pro Tools to a subscription model was to adopt a ‘little and often’ approach to updates. Is the most affordable version of Avid’s DAW still a serious music production tool? Incidentally, it seems that Dark mode is now the default, though the classic Pro Tools grey look is still available. Learn more Pro Tools tips and trick at AskVideo here.A major focus in the development of Pro Tools Artist has been smoothing the learning curve for new users. And if you find yourself working on a Pro Tools rig that doesn't have the same third-party plug-ins installed, or the same instrument libraries you're accustomed to, you can always count on Xpand2! being there with something that just might fit the bill! Even though, like most of us, you probably have your preferred third-party instruments and custom patches, it's still worth it to get to know what Xpand!2 has to offer. I think this may be why some players feel that Xpand2! doesn't always meet their specific needs as well as it could.īut, that one omission aside, I've always been pleasantly surprised to find some really nice, really useful, playable, sounds in Xpand!2. Large sample-playback instruments often utilize preset velocity-layering of samples at multiple dynamics to achieve the desired expressivity, and while Xpand!2 probably does this with some patches, I often felt a need to set a more musical velocity response, and was unable to address that. For me, this is a big omission, as velocity control of parameters like Filter Cutoff and Attack Time is one of the first tweaks I would turn to, to make in instrument respond more musically to my (or any performer's) playing style. 6: MIDI CC messages can be assigned to “Smart Knob” parameters via Pro Tools' MIDI Learn feature.īut there is one notable absence here-the option to assign any of these parameters, or the options in the Mod section, to Velocity control. These can all be assigned to respond to the Control Change message of your choice, via Pro Tools' standard MIDI Learn function (right-click), providing some nice options for expressive performance.įig. There are normally Envelope Controls (in the “Easy” section), and a variety of customized tweaks per Part, including parameters like filter cutoff, EQ, sound layering, effects, etc. Options & Limitsīut despite the limited, pre-selected options for sound design adjustment, most of the parameters you'd normally want or need to tweak, to shape an instrument's sound & response to your particular needs, are usually provided as part of the Part's factory-chosen parameter set. well, if the particular instrument Part you'd loaded offers a control for that, you'd be good to go, but if not, you'd be out of luck. So if you wanted to, say, change the filter resonance of an instrument. Rather than have a full bank of controls for all the usual aspects of sound instrument programming-keymapping, filters, envelopes, LFOs, etc.-Xpand!2 offers only a pre-selected set of controls for each different instrument in the library, that have been chosen for you by the sound designers. This is where Xpand!2 starts to show its preset nature. 5: The parameters area (“Smart Knobs”) in Xpand!2
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